Bio

Born: Perry, Ohio

Educated: University of Rochester, Rochester, NY

Lived:
1983-2002, Perry, Ohio
Trained by a mother who makes photorealist paintings. Began replicating the fashion, film, and comic books images that made up  ---- 1990s culture. Had already developed an unhealthy need for approval, and was fortified by the praise of teachers, awards from community college art shows, and the constant but never welcome question: "will you do a portrait of me?" Worked primarily in graphite and acrylic.

2002-2007, Rochester, NY
Joined a small conceptual art program at University of Rochester.  Learned that art did not end in 1917. Worked in new mediums including wood, metal, video, computer-based art, and photography. Earned a degree in Studio Arts and English Literature, and completed a post-graduate research fellowship on globalization in cinema. Favored working in large scale acrylic, oil, and mixed media paintings on sheet metal that delt with . Participated in a half dozen shows in and around Rochester, NY. Won several  awards.

2007-2008, Queens, NY
After a brief stint at NYU and a brief stint at NBC, began focusing on small paintings again. Created carefully rendered minimalist portraits in oils. Used many transparent layers of paint and tiny brushes while working with a limited pallet including only the neutral, gray, and brown families. I call this series “Mass” because with the minimal and non-traditional compositions I think the paintings border on looking like abstracts, objects, or landscapes rather than portraits.

2008-2012, Brooklyn, NY
Created pictorial works featuring women. Influenced by literature and deconstructionism, the works contain images that are both stand alone and appear to be part of a larger narrative. They are self-portraits in a sense, women floating in amorphous spaces of uncertainty. They reflect contradictory states of being. There’s always a push and pull, a tendency toward violence and peace, calamity and calm, confusion and wisdom.

2012-Present, Oakland, CA
Painting cartoonish images of women and abstracts. Delving into popular culture while continuing to represent the ambivalence in modern life.

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Work In Progress . . . .

Work In Progress . . . .
A tryptic on three thin pannels of a girl falling over and falling apart. Resembles a film strip.

Part of a series I'm starting on falling. So far, it's just an acrylic background and a drawing on a 18 x 24 inch board. I've been meaning to do this painting forever now, and I'm really happy with where it's going.

What I'm reading:

What I'm reading:

New Paint!

New Paint!
X-mas present: I've finally decided to upgrade to safer oil paints!